In 1910, pioneering film director D.W. Griffith saw more greater possibilities for the close-up. He will have realized that, instead of disorienting the audience, the close-up could be used to make the audience identify with the characters on-screen. To achieve this effect., Griffith would follow a close-up of a character's face with images of the world around the character. On the contrary, Griffith made the audience see the world through the characters eye's