In addition to a rhythmic, dynamic and well-constructed writing, the script of
“Little Big Brother” describes a low-functioning/profound form of autism in an extremely human way, without miserabilism or victimization. Quite “simply”; quite simply, like a part of normal everyday life.
The subtlety of the director's treatment, already visible in “Junkyard”“Junkyard,” a short version of the story, announces an encouraging promise in the difficult exercise of raising awareness of disability, by treatingapproaching the subject through the prism of comedy, without insulting the audience’saudience, and while entertaining them “seriously”seriously.

The script is a journey through the most beautiful landscapes in Morocco, the High Atlas and the Anti-Atlas. A road movie presenting a natural, beautiful and deeply sincere Morocco.

Inject into that a story, itineraries, twists and turns, emotions, modern Moroccan music... and the trip becomes a sensory experience for the viewer. An invitation for both the heart and the brain.

The French co-production would contributecontributes to the making of a film that is both Moroccan and universal;, through the choice of actors,; Moroccans from here and elsewhere, who are identifiable by the Moroccan, French and international audiences. And, and by a post-production experience that would prepare the film for an international audience.

Finally, the most important criterion in my eyes. What, what I call the “fiber,”; is that its spirit was palpable infrom the first second of meeting with the authors, the director, some of the actors, the production team and the French co-production.

Making a film is a marriage of many years, from its conception to its premiere.

“Little Big Brother” promises to assemble love and reason with finesse.
Because love without reason is but a foolish affection, and reason without love is dryness of mind and heart.